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	<title>Kunal Mukherjee</title>
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	<link>http://kunalmukherjee.com</link>
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		<title>Why do I write?</title>
		<link>http://kunalmukherjee.com/writing/why-do-i-write/</link>
		<comments>http://kunalmukherjee.com/writing/why-do-i-write/#comments</comments>
		<pubDate>Fri, 11 May 2012 14:10:45 +0000</pubDate>
		<dc:creator>Kunal Mukherjee</dc:creator>
				<category><![CDATA[Writing]]></category>

		<guid isPermaLink="false">http://kunalmukherjee.com/?p=22</guid>
		<description><![CDATA[I wonder about that. Perhaps because I love to read so much and spent an entire childhood voraciously devouring books. Or perhaps because both my grandmothers were accomplished writers and had a passion for language and literature. My great-grandmother wrote her last poem at the age of 99 in Bengali. Or perhaps because I grew up encouraged to read anything I wanted, though I seldom saw my parents anything but The Deccan Chronicle newspaper. ]]></description>
			<content:encoded><![CDATA[<p>I wonder about that. Perhaps because I love to read so much and spent an entire childhood voraciously devouring books. Or perhaps because both my grandmothers were accomplished writers and had a passion for language and literature. My great-grandmother wrote her last poem at the age of 99 in Bengali. Or perhaps because I grew up encouraged to read anything I wanted, though I seldom saw my parents anything but The Deccan Chronicle newspaper. </p>
<p>I wrote poetry before I wrote prose. It seemed to come naturally early on. But then there were those rigid formative years of essay writing in high school. My English teacher Ms. Kamat was a strict educator and her rigor only served to further whet my appetite for excellent literature. So after going to engineering college for several years—my desire to study literature treated indulgently but never seriously—all the unrequited desire finally drove me to start attending a creative writing class in San Francisco at the Writing Salon, with Linda Watanabe McFerrin. After attending her class, something was unleashed in me. I grew fascinated with the technicalities of writing—dialog, plot, point of view, voice, story arc, pace, transitions. The art of balancing all of these and more in a choreographed and precise manner all contributed to the art of storytelling. A challenge I find irresistible. But my story telling has a purpose. To entertain, to educate, to move, to inspire and to captivate and above all, to make us, a unique animal species recognize that no matter what we look like and where we are from, we are all the same. We go through the same fears, pains, emotions and ultimately all just want to be loved.</p>
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		<item>
		<title>The Papaya Grove</title>
		<link>http://kunalmukherjee.com/food/the-papaya-grove/</link>
		<comments>http://kunalmukherjee.com/food/the-papaya-grove/#comments</comments>
		<pubDate>Fri, 11 May 2012 14:10:03 +0000</pubDate>
		<dc:creator>Kunal Mukherjee</dc:creator>
				<category><![CDATA[Food]]></category>

		<guid isPermaLink="false">http://kunalmukherjee.com/?p=20</guid>
		<description><![CDATA[Papita or Papaya, is one of the ubiquitous treasures of the tropics, but nowhere so revered and exalted as in India. Its medicinal qualities and benefits to health and digestion are legendary. It was also the reason for my first sex education talk at the age of eight.

All through summer, my father bought raw papayas from the market. I loved papaya chutney made in the Bengali style in the early summer months.  Thin slices of raw papaya were cooked in light sugar syrup with a little fresh lime juice. It is a very simple dish, and is delicious when eaten with the curries of the summer season when the weather is very warm.
]]></description>
			<content:encoded><![CDATA[<p>Papita or Papaya, is one of the ubiquitous treasures of the tropics, but nowhere so revered and exalted as in India. Its medicinal qualities and benefits to health and digestion are legendary. It was also the reason for my first sex education talk at the age of eight.</p>
<p>All through summer, my father bought raw papayas from the market. I loved papaya chutney made in the Bengali style in the early summer months.  Thin slices of raw papaya were cooked in light sugar syrup with a little fresh lime juice. It is a very simple dish, and is delicious when eaten with the curries of the summer season when the weather is very warm.</p>
<p>“Papaya chutney saved your life when you were a baby” my mother said to me.</p>
<p>“How?” I asked.</p>
<p>“Well, you had a really bad attack of diarrhea and nothing seemed to be working. You were getting very dehydrated when your aunt told me to feed you raw papaya chutney. You see, the milk in the raw papaya has binding qualities and helps cases of upset stomachs. The papaya is a very good fruit indeed and good for colic, teething problems and all kinds of stomach disorders.”</p>
<p>But sometimes my father would bring home a large ripening papaya instead of a raw one, convinced that he had found a winner. He was usually right. The papaya would be allowed to ripen first, turning a bright shade of yellow with some yellow-green splashes. Then it would be cooled in the refrigerator. When it would be time to eat it, my mother would cut it open. The papaya had an oval cross section; the center naturally hollowed out, and filled with hundreds of black papaya seeds, each covered with a translucent and gelatinous coating. Fully ripe papayas did not have any milk.</p>
<p>“This has a flavor of rose water” my mother would say, admiringly. My sister Rani and I would giggle because this was exactly what we expected her to say. </p>
<p>In order to prepare the seeds for planting, we scooped out the seeds and placed them on a piece of brown paper and left them out in the summer sun.  The heat reduced the gelatinous and wet mass to a heap of dried out black seeds, flecked with gray. </p>
<p>We picked a good spot for our papaya grove. The gardener helped us till the soil and we planted the seeds with great aspirations.</p>
<p>After a few days of impatiently checking for signs of life every hour, shoots appeared. We carefully scooped the earth around the plants, making little moats and connected them to the main gully that Shankar had dug down the length of the garden. I never failed to be fascinated by the way the water flowed out of the great tap attached to an underground pipe. As the circular knob that worked as the head of the tap was turned, water gushed into the gully and flow down, slowed greatly by the parched earth that drank thirstily first, before allowing the water to flow on. Ants scurried frantically, many of them being swept away by the current of water, but they managed to scramble out along the sides of the gully, as the water was inevitably slowed down by leaves and twigs, the flotsam and jetsam left behind by the summer storm. We made sure that the papaya shoots had plenty of water every day. It was a joy to see the tender shoots appear—tentative little green stalks that masterfully thrust through the carefully prepared soil and were soon adolescent. </p>
<p>The papaya plants quickly grew to be five or six feet tall, their slender trunks serrated by little ridges that were a little darker than the cream brown of the thin bark. The stems were beautiful, exploding from the verdant green trunk in bursts ending in four or five points of leaves.<br />
Soon the fronds had turned green and thick, and the bark was a dark golden brown and I was getting impatient to see fruit. But I had to wait first. Little flowers appeared on some of the trees. As the summer days grew hotter, little papayas materialized where the flowers had bloomed. Shaped like oval green orbs with little nipples at the end, they looked juicy, firm and full of promise. But to our disappointment, some of the trees never bore either flowers or fruit.</p>
<p>  “How much longer before all the papaya trees will give us fruit?” I asked my father.<br />
“Only the girl plants bear fruit. The boy plants never bear any.” my father said.<br />
“How can you tell from before which tree is a boy and which is a girl?” I asked.<br />
“You will need to pull down its chaddi (underpants) and see for yourself” my father laughed.<br />
I still carry an image of a papaya tree with a polka dotted pair of boxers, pulled down, crumpled at its roots; the tree about to step out and walk away.<br />
Finally the rich green of the papayas on the trees was splashed with gold which spread all over. The moment had arrived. The papayas were carried home carefully, and placed in a jute bag where they would finally ripen to a burst of sunshine yellow gold. And then it was time to eat them. Heavenly and sweet and flavored like rose water, we ate papayas all through the summer. Ah, it was heavenly! The peel was thin, the flesh was soft—melting in my mouth and the seeds were bright and shiny, like tiny little fish eggs. I scooped them out and laid them out to dry in the sun.</p>
<p>“This is for the next generation of papaya trees” I said to Rani. I looked at the dried out seeds. “Wonder which of these are boys and which are girls.” I said.<br />
“Pull their underpants off, and you will know” Rani said.</p>
<p>We both giggled.</p>
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		<title>Passport – do not leave home without it</title>
		<link>http://kunalmukherjee.com/traveling/passport-do-not-leave-home-without-it/</link>
		<comments>http://kunalmukherjee.com/traveling/passport-do-not-leave-home-without-it/#comments</comments>
		<pubDate>Fri, 11 May 2012 06:44:07 +0000</pubDate>
		<dc:creator>Kunal Mukherjee</dc:creator>
				<category><![CDATA[Traveling]]></category>
		<category><![CDATA[travel]]></category>

		<guid isPermaLink="false">http://kunalmukherjee.com/?p=16</guid>
		<description><![CDATA[When folks in San Francisco ask me about my trip to India, I tell them about the friends and family I met, the incredible food and restaurants and the incredibly modern and well designed buildings, I skip the part about the near disastrous start or my attack of food poisoning or the cancelled flights. Because while I could have easily done without those challenges, my trip was still just fantastic. Still, here is an account of the very avoidable and near disastrous beginning of the trip.]]></description>
			<content:encoded><![CDATA[<p>When folks in San Francisco ask me about my trip to India, I tell them about the friends and family I met, the incredible food and restaurants and the incredibly modern and well designed buildings, I skip the part about the near disastrous start or my attack of food poisoning or the cancelled flights. Because while I could have easily done without those challenges, my trip was still just fantastic. Still, here is an account of the very avoidable and near disastrous beginning of the trip.</p>
<p>When we reached the SFO airport at 4 pm we had just about enough time to check in our bags and go lounge around at the departure gate.  At the luggage counter, when I was asked for my passport, I discovered that I did not have it on me. After I called my ride, she turned around to pick me up and I ran out of the airport yelling words of reassurance to my companion. I would be back by 4:30 pm. It was already 4:05 pm at that time.</p>
<p>Praying and chanting at the wheel of my friend’s truck, I made it back at 4:29 pm with just one minute to spare. Don’t ask me how. I just did it.</p>
<p>The gracious staff at British Airways made the earlier stress a distant memory as we settled down in our seats, listening to the clipped British accent of our pilot telling us that we were leaving early and would arrive even earlier than expected.  This was great news, considering that we had just one hour to catch our connecting flight. No worries, I thought to myself. After all a short saunter from one gate to another was all we had to do when we landed so catching the connecting flight should be a piece of cake. Right? Wrong.</p>
<p>After circling the London skies and seeing every major landmark ad nauseum, we arrived late.  We tore out of the plane and found out that we had to  take a train to another terminal to get to our gate. Aaaargh! Never mind, we had twenty five minutes to spare, I smiled encouragingly to my companion. He frowned in return, reminding me of the way he had looked when I left him at the airport with eight bags to manage, at the British Airways counter. We tore out from the train and made a beeline for the gate. But wait! We had to go through security. Again? </p>
<p>“Are  you going to catch the flight to Delhi?” the woman at the security checkpoint asked me, as she squinted at the boarding pass. She shook her head. I pleaded. We still had fifteen minutes. We could make it. But we were doomed to wait.</p>
<p>We took off from London after ten long, frustrating hours. Ten hours with no easily accessible WiFi. Welcome to London Heathrow.</p>
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		<title>Why I find books irresistible</title>
		<link>http://kunalmukherjee.com/writing/why-i-find-books-irresistible/</link>
		<comments>http://kunalmukherjee.com/writing/why-i-find-books-irresistible/#comments</comments>
		<pubDate>Fri, 11 May 2012 06:42:36 +0000</pubDate>
		<dc:creator>Kunal Mukherjee</dc:creator>
				<category><![CDATA[Writing]]></category>

		<guid isPermaLink="false">http://kunalmukherjee.com/?p=14</guid>
		<description><![CDATA[I started going to the library when I was six, insisting on taking home books about little boys like Sambo who was chased by the tigers and fairy tale girls like Thumbelina who slept in an impossibly small walnut shell. I still remember going with my mother to the library and triumphantly bearing the books home, filled with delicious anticipation at the promise of a world of magic, about to unfold. To me, books were not just bound and printed papers that built an entire universe of characters the moment I started reading the first page.]]></description>
			<content:encoded><![CDATA[<p>I started going to the library when I was six, insisting on taking home books about little boys like Sambo who was chased by the tigers and fairy tale girls like Thumbelina who slept in an impossibly small walnut shell. I still remember going with my mother to the library and triumphantly bearing the books home, filled with delicious anticipation at the promise of a world of magic, about to unfold. To me, books were not just bound and printed papers that built an entire universe of characters the moment I started reading the first page. They also had the most amazing scent. To smell a book, all I had to do was to open it in the middle and breathe deep—my nose burrowed deep in the partition of the pages. I could smell old ;paper, glue, thread and ink—all amalgamated into this heavenly miasma that I could not get enough of. They stimulated me in visual, tactile and olfactory ways.</p>
<p>Even today, when I am at a bookstore at the airport, I find myself surreptitiously opening a book I want to read and inserting my nose to take a deep breath. Just to make sure I get a sneak preview of the world I am going to read about.</p>
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		<title>Like slipping into a comfortable pair of jeans</title>
		<link>http://kunalmukherjee.com/musings/like-slipping-into-a-comfortable-pair-of-jeans/</link>
		<comments>http://kunalmukherjee.com/musings/like-slipping-into-a-comfortable-pair-of-jeans/#comments</comments>
		<pubDate>Fri, 11 May 2012 06:41:37 +0000</pubDate>
		<dc:creator>Kunal Mukherjee</dc:creator>
				<category><![CDATA[Musings]]></category>

		<guid isPermaLink="false">http://kunalmukherjee.com/?p=12</guid>
		<description><![CDATA[That is what it feels like, to go to India. A psychic friend once told me that fish always prefer to go back to the temperature of the water they were born in and that we humans tend to do the same, on a metaphysical level. Not sure how scientific that observation was, but I will admit that it takes just a day or two of being back in India before I settle down comfortably in an environment that could not be more different than the one I live in.  Pleasantly tolerant of non-stop honking of cars and noisy traffic, breathing nonchalantly the fumes of pollution, looking at strangers in the eye for no reason at all and feeling unaccountably connected to them—my old habits come back to me so quickly. Jay walking? No problem.]]></description>
			<content:encoded><![CDATA[<p>That is what it feels like, to go to India. A psychic friend once told me that fish always prefer to go back to the temperature of the water they were born in and that we humans tend to do the same, on a metaphysical level. Not sure how scientific that observation was, but I will admit that it takes just a day or two of being back in India before I settle down comfortably in an environment that could not be more different than the one I live in.  Pleasantly tolerant of non-stop honking of cars and noisy traffic, breathing nonchalantly the fumes of pollution, looking at strangers in the eye for no reason at all and feeling unaccountably connected to them—my old habits come back to me so quickly. Jay walking? No problem. Addressing taxi drivers and auto-rickshaw drivers  as “regarded sir”?  Of course. Being called “dada” or “older brother” by my cousins with unsolicited respect? Totally natural. Tea and snacks at ten am at a business meeting? Isn’t that the protocol everywhere? Knowledgeable pharmacists who can prescribe medications that work and cost a tiny percent of what I spend in the US? But isn’t that how healthcare is supposed to be?</p>
<p>Social interactions so laid back. Easy.  As I step out of the airport back home, I hunch over, hands deep in my jacket pockets, to shield myself from the cold foggy afternoon wind—my pleasant dream is over. Where are my comfy jeans?</p>
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		<item>
		<title>Finishing a labor of love</title>
		<link>http://kunalmukherjee.com/musings/finishing-a-labor-of-love/</link>
		<comments>http://kunalmukherjee.com/musings/finishing-a-labor-of-love/#comments</comments>
		<pubDate>Fri, 11 May 2012 06:40:34 +0000</pubDate>
		<dc:creator>Kunal Mukherjee</dc:creator>
				<category><![CDATA[Musings]]></category>

		<guid isPermaLink="false">http://kunalmukherjee.com/?p=10</guid>
		<description><![CDATA[After years of reworking the manuscript of My Magical Palace and a shifting publish date, it was anti-climactic to finally reach the first critical publishing milestone—sending the final copy to the printer. Years seem like small leaps when looking back at endless writing, editing, re-writing, consulting, work shopping, book ending, plot redesigning, transition re-building …  you get the picture.]]></description>
			<content:encoded><![CDATA[<p>After years of reworking the manuscript of My Magical Palace and a shifting publish date, it was anti-climactic to finally reach the first critical publishing milestone—sending the final copy to the printer. Years seem like small leaps when looking back at endless writing, editing, re-writing, consulting, work shopping, book ending, plot redesigning, transition re-building …  you get the picture.</p>
<p>So at midnight on April 19th, 2012, when I finally picked my choice of the cover, and verified that all my edits were in—meticulously tracked by my amazing team, I was not prepared for the morning after. It felt odd to wake up and realize that for the first time in ages, I did not have a manuscript to edit. Such a strange feeling, liberating and at the same time, I felt lost. Anyone out there have that same emptiness? Anyway, so no more of that crazy drill any more…</p>
<p>Until I start sharing my new novel which I think is coming along swell. Famous last words?</p>
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